{"id":50271,"date":"2022-09-06T17:40:43","date_gmt":"2022-09-06T16:40:43","guid":{"rendered":"https:\/\/blogs.ua.pt\/cidtff\/?p=50271"},"modified":"2022-09-06T17:40:43","modified_gmt":"2022-09-06T16:40:43","slug":"investigador-do-cidtff-com-apresentacao-na-iii-giornata-della-tecnologia-musicale","status":"publish","type":"post","link":"https:\/\/cidtff.web.ua.pt\/blog\/?p=50271","title":{"rendered":"Investigador do CIDTFF com apresenta\u00e7\u00e3o na III Giornata della Tecnologia Musicale"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><a href=\"http:\/\/blogs.ua.pt\/cidtff\/wp-content\/uploads\/2022\/09\/III-Giornata-Brescia-Italia.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blogs.ua.pt\/cidtff\/wp-content\/uploads\/2022\/09\/III-Giornata-Brescia-Italia-819x1024.jpg\" alt=\"\" class=\"wp-image-50274\" width=\"263\" height=\"329\"\/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>30 setembro, 2022 | Conservatorio di Brescia, It\u00e1lia<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">O investigador do CIDTFF, <a href=\"https:\/\/orcid.org\/0000-0002-3805-6929\" target=\"_blank\" rel=\"noreferrer noopener\">Davys Moreno<\/a>, com Nicola Davanzo (Laboratorio di Informatica Musicale, Universit\u00e0 di Milano) e com o apoio dos seus orientadores, <a href=\"https:\/\/orcid.org\/0000-0003-0040-2811\" target=\"_blank\" rel=\"noreferrer noopener\">Ant\u00f3nio Moreira<\/a><a href=\"https:\/\/orcid.org\/0000-0001-8054-8014\" target=\"_blank\" rel=\"noreferrer noopener\"> (CIDTFF, DEP, UA), Oksana Tymoshchuk<\/a> (DeCA, UA) e <a href=\"https:\/\/orcid.org\/0000-0003-1026-7457\" target=\"_blank\" rel=\"noreferrer noopener\">Carlos Marques<\/a> (Escola Art\u00edstica Conservat\u00f3rio de M\u00fasica Calouste Gulbenkian, Aveiro), dinamiza no pr\u00f3ximo dia 30 de setembro, no Conservatorio di Brescia, em It\u00e1lia, a sess\u00e3o intitulada &#8220;Inclusione CON LA musica vs. Inclusione NELLA musica&#8221;.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Integrada no \u00e2mbito da <a href=\"https:\/\/www.22gtm.it\/\" target=\"_blank\" rel=\"noreferrer noopener\">III Giornata della Tecnologia Musicale<\/a>, esta sess\u00e3o destina-se a Professores do Ensino Art\u00edstico Especializado da M\u00fasica da It\u00e1lia, professores de Educa\u00e7\u00e3o Musical, Musicoterapeutas, alunos do Conservat\u00f3rio de Brescia e outros interessados nas tem\u00e1ticas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pretende sensibilizar os participantes para o reconhecimento das potencialidades do Digital no desenvolvimento de din\u00e2micas e processos de trabalho inclusivos, no \u00e2mbito do Ensino\/Aprendizagem da M\u00fasica. Tem como objetivos apresentar diferentes trabalhos e tecnologias j\u00e1 desenvolvidos, ou em desenvolvimento, para promover o ensino musical inclusivo, quer em contexto de Ensino Regular, quer no Ensino Art\u00edstico Especializado. Al\u00e9m disso, pretende identificar poss\u00edveis problemas que podem ser encontrados nos processos de inclus\u00e3o na \u00e1rea da m\u00fasica, promovendo um trabalho colaborativo e participativo. Mais especificamente:<\/p>\n\n\n\n<ul class=\"has-small-font-size wp-block-list\"><li>Ensino da m\u00fasica e Musicoterapia, semelhan\u00e7as e diferen\u00e7as;<\/li><li>Design Universal como diferencia\u00e7\u00e3o pedag\u00f3gica para a aprendizagem;<\/li><li>Estrat\u00e9gias de potencia\u00e7\u00e3o da participa\u00e7\u00e3o ativa de todas as crian\u00e7as;<\/li><li>Promo\u00e7\u00e3o de oportunidades de sucesso;<\/li><li>Estudos de caso;<\/li><li>Adapta\u00e7\u00f5es curriculares no EAE da M\u00fasica em prol da Inclus\u00e3o;<\/li><li>Utiliza\u00e7\u00e3o de Produtos de Apoio\/Tecnologias e Softwares para o Ensino da M\u00fasica;<\/li><li>Potencia\u00e7\u00e3o do desenvolvimento das Boas Pr\u00e1ticas entre todos os formandos.<\/li><\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Davys Moreno \u00e9 violinista, formador em Educa\u00e7\u00e3o Musical, Mestre em Educa\u00e7\u00e3o (Chile) e Musicoterapeuta (Brasil). Atualmente \u00e9 Doutorando em Educa\u00e7\u00e3o na Universidade de Aveiro e Bolseiro da FCT (Portugal). Estagiou no Departamento de Inform\u00e1tica Musical da Universidade de Mil\u00e3o (It\u00e1lia) e promoveu o desenvolvimento de orquestras infantis para democratizar o ensino da m\u00fasica. A sua \u00e1rea de investiga\u00e7\u00e3o atual \u00e9 a inclus\u00e3o de crian\u00e7as com defici\u00eancia motora decorrente de Paralisia Cerebral nos Programas de Educa\u00e7\u00e3o Art\u00edstica Musical.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.22gtm.it\/\" target=\"_blank\" rel=\"noreferrer noopener\">ver mais<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>30 setembro, 2022 | Conservatorio di Brescia, It\u00e1lia O investigador do CIDTFF, Davys Moreno, com Nicola Davanzo (Laboratorio di Informatica Musicale, Universit\u00e0 di Milano) e com o apoio dos seus orientadores, Ant\u00f3nio Moreira (CIDTFF, DEP, UA), Oksana Tymoshchuk (DeCA, UA) e Carlos Marques (Escola Art\u00edstica Conservat\u00f3rio de M\u00fasica Calouste Gulbenkian, Aveiro), dinamiza no pr\u00f3ximo dia [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[47,14,2],"tags":[],"class_list":["post-50271","post","type-post","status-publish","format-standard","hentry","category-comunicacoes","category-destaques","category-eventos"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.10 - 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