{"id":27575,"date":"2019-12-06T17:26:37","date_gmt":"2019-12-06T17:26:37","guid":{"rendered":"http:\/\/blogs.ua.pt\/cidtff\/?p=27575"},"modified":"2019-12-06T17:26:37","modified_gmt":"2019-12-06T17:26:37","slug":"artigo-the-accordion-format-in-the-design-of-childrens-books-a-close-reading-of-a-portuguese-collection","status":"publish","type":"post","link":"https:\/\/cidtff.web.ua.pt\/blog\/?p=27575","title":{"rendered":"Artigo | The Accordion Format in the Design of Children\u2019s Books: A Close Reading of a Portuguese Collection"},"content":{"rendered":"\n
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Ana Margarida Ramos (CIDTFF) | in Libri & Liberi, 8 (2), pp. 313-328<\/strong><\/p>\n\n\n\n

Abstract:<\/strong><\/p>\n\n\n\n

“This text aims to analyse accordion books in general and more specifically the collection of four accordion picturebooks titled \u201cDesconcertina\u201d [\u201cDisconcerting\u201d], published in Portugal between 2011 and 2015 by the designer Andr\u00e9 Letria. This article is divided into five parts and deals with a particular type of book object, namely accordion books. It starts by<\/p>\n\n\n\n

explaining the general format of an accordion picturebook and then goes on to discuss a selection of contemporary accordion picturebooks published between 2009 and 2016 in Europe and around the world. Finally, it presents a close reading of a Portuguese collection of accordion picturebooks by Andr\u00e9 Letria and discusses the importance of the materiality of accordion books in the promotion of interactivity in the reading process, challenging the readers\u2019 competences.”<\/p>\n\n\n\n

ver mais<\/a><\/p>\n\n\n\n

– – – – –<\/p>\n\n\n\n

Refer\u00eancia:<\/strong>
Ramos, A. M. (2019). The Accordion Format in the Design of Children\u2019s Books: A Close Reading of a Portuguese Collection. in Libri & Liberi, 8<\/em> (2), pp. 313-328. DOI: 10.21066\/carcl.libri.8.2.4. Retrieved from http:\/\/www.librietliberi.org\/?page_id=1369 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ana Margarida Ramos (CIDTFF) | in Libri & Liberi, 8 (2), pp. 313-328 Abstract: “This text aims to analyse accordion books in general and more specifically the collection of four accordion picturebooks titled \u201cDesconcertina\u201d [\u201cDisconcerting\u201d], published in Portugal between 2011 and 2015 by the designer Andr\u00e9 Letria. This article is divided into five parts and […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[32,14,5],"tags":[],"class_list":["post-27575","post","type-post","status-publish","format-standard","hentry","category-artigos","category-destaques","category-publicacoes"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t